The Ouija Board (Dave Fleischer, 1920)
Ko-ko Sees Spooks (Dave Fleischer, 1925)
Dizzy Dishes (Dave Fleischer, 1930)
Boop-Oop-A-Doop (Dave Fleischer, 1932)
Popeye the Sailor Meets Sindbad the Sailor (Dave Fleischer, 1936)
The “Stereoptical” process
The Mechanical Monsters (Dave Fleischer, 1941)
Two of a Trade (Paul Terry, 1922)
Little Red Riding Hood (Walt Disney, 1922)
Alice Solves the Puzzle (Walt Disney, 1925)
The Artist’s Dream (John Randolph Bray, 1913)
Policy and Pie (Gregory La Cava, 1918)
Comin’ Thro’ the Rye (Dick Huemer, 1926)
Felix Dines and Pines (Otto Messmer, 1927)
Dream of a Rarebit Fiend (Edwin S. Porter, 1906)
Little Nemo (Winsor McCay, 1911)
How a Mosquito Operates (Winsor McCay, 1912)
Gertie (Winsor McCay, 1914)
The Sinking of the Lusitania (Winsor McCay, 1918)
L’Auberge ensorcelée (Georges Méliès, 1897)
L’Auberge du bon repos (Georges Méliès, 1903)
El hotel eléctrico (Segundo de Chomón, 1908)
The enchanted drawing (James Stuart Blackton, 1900)
Humorous Phases of Funny Faces (James Stuart Blackton, 1906)
Lightning Sketches (James Stuart Blackton, 1907)
Matches: An Appeal (Arthur Melbourne Cooper, 1899)
Fantasmagorie (Émile Cohl, 1908)
Clair de Lune Espagnol (Émile Cohl, 1909)
Le retapeur de cervelles (Émile Cohl, 1910)
Le cheveu délateur (Émile Cohl, 1911)
Food (Jídlo, Jan Švankmajer, 1993)
Night on Bald Mountain (Une nuit sur le Mont Chauve, Alexander Alexeïeff, Claire Parker, 1933)
Here and the Great Elsewhere – Michèle Lemieux and the Secret of Pinscreen (Making of)
An example of machinema.
Pierre Jaquet-Droz, the writing automaton (1774)
Reconstruction of movement as suggested by some Paleolithic cave paintings
The “wheel of life”, a magic lantern slide (1871)
Pauvre Pierrot (Èmile Reynaud, 1892)
Autour d’une cabine (Èmile Reynaud, 1893)
A reconstruction of Reynaud’s show